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Outdoor
Photography Passions
From Behind and Beside the Camera
By James H. Egbert and Rebecca Egbert
From Behind The Camera
The world of a
photographer can be an interesting one. The
world of an outdoor and nature photographer
can be a dangerous and thrilling one as
well. Take all of the "stuff" that makes a
photographer do what they do and add in
mountain climbing, rock hopping and river
rafting and you have only scratched the
surface.
There is something about nature that
reaches out to these people in a way even
the most avid "tree hugger" might not
understand. Photographers tend to be more
intimate with their passion and craft. There
are very few obstacles that would deter a
truly dedicated and not very medicated
outdoor photographer from stretching the
fear envelope just to get a shot of a simple
flower.
One of the things most outdoor
photographers hear when they finally display
their images with price tags is, "Oh
that's a fine image, but I would not pay
that much for it when I can go out and
photograph that myself." Inside, the
photographer may want to choke the person to
death, but on the other hand there's the
satisfaction of knowing that the person who
just made that statement has no idea of the
efforts that go into taking these
photographs and will most likely never be
able to come close to what they are wanting.
The outdoor photographer is part artist,
part mad scientist and part mountain man.
They need to have the artist's eye for
seeing beyond the apparent, the scientists
knowledge of wavelength mechanics and the
mountain man's ability to surpass almost
everything nature throws at them. One almost
over looked facet of the photographer is
their dedication to their equipment. A
photographer will protect their equipment as
if it were their first born. They even are
very steadfast in brands and equipment
formats.
So what makes these people the breed
that they are? Like any other person who is
passionate about something, there is
something within them that is uniquely bent
towards totally immersing themselves into
whatever it is that they do. These people
are not in it for the money or fame. They do
this because of some inner force that drives
them to excel on a more personal level of
satisfaction. If it were not for the
pressure from friends and family, they would
probably never show their work to others
outside their little circles. They tend to
reveal little parts of themselves through
their work like most artists do, thus making
their work a bit too personal for others to
really get it.
As a group, outdoor and nature
photographers tend to share the basic
insights, but each has their own style of
presentation. Each can identify what another
did on the technical front, but rarely ever
see exactly what the other was really after.
Once a photographer goes commercial or
professional, their work will tend to
reflect less of their inner self and more of
the purist view of the subject. Their images
will maintain the punch and technical
perfection, but a personal preference will
often be put aside to appeal to publication
editors and the masses. The artist is thus
caged deeply within the rules of
composition. On their own they may bend or
twist a rule here and there just so they can
push the limitations of their talents and
expression.
So the question is," Where do the
rules take over the passion and artistic
freedom of expression?" or "What
makes a great photograph?" The answer is
simply this, " Beauty is in the eye of the
beholder . . . " Each editor or viewer of an
image will interpret what is right and wrong
about an image. They will see things the
photographer may have dismissed. They will
reject things the photographer found
important to the shot. Each photograph is a
canvass of many levels. Remember the next
time you view any photographer's work that
you are viewing a piece of them as well. You
don't have to understand it to appreciate
it, just understand that the photographer
went to great lengths to capture this scene
and bring to you a moment in time and places
you were not able to witness first hand.
From Beside The Camera
From Colorado's
mountain country to the South's Bayou
regions, or the forests of Maine, whatever
you love, whatever you fancy, nature
photography can be a unique way to enjoy the
great outdoors at a different level. A level
that includes the photographer surely, but
others as well. Though at times an artistic
loner, the nature photographer is often
accompanied by one or more companions drawn
by the same appreciation of the natural
world and a desire to experience it more
deeply than before. This is when nature
photography becomes a hobby that envelopes
everyone along for the ride, whether they
are behind the camera or not. In fact, it
could be compared to a team sport in many
ways, with the photographer and his
companions collaborating towards the end
result of a perfect shot and a perfect day
out on the trail, with great memories of
laughter and trials shared in the years to
come.
Most often, the photographers'
companions are family members or friends,
though they are often students as well.
Whoever they are, they are as passionate as
the photographer about getting outside,
whether it is a love of hiking and camping,
or birding and wildflower identification.
Often they carry the poet's soul within
them, feeling a deep connection with the
wilderness. Regardless of the draw for this
diverse group of people, they share a true
sense and spirit of adventure with the
photographer. They have discovered that
looking through the viewfinder at what the
photographer sees before he takes the shot
adds a dimension to their experience they
could not have gotten otherwise. Just as the
lens brings the scenic beauty before them
into focus, so it brings into focus their
emotional response to all they are immersed
in. The sharing of adventure and perceptions
can be a real bonding force between
photographer and companion as they interact
with the wild and with each other. The
nature photographer's desire to have impact
on others through his work is first felt at
the response of his companions as they are
the first to see his work, and to truly
appreciate all that was required to produce
those incredible shots. There is a love
affair with the subject being shot that both
have at different, but complementary levels.
Nature photography can be physically
demanding and risky at times, but no one
knows this better than his companions.
Hiking at high elevation for hours to find
the ultimate wildflower shot or watching the
photographer perch precariously on slick
boulders near a sheer drop off to capture
that waterfall, can also be emotionally
taxing. But this intensity is part of the
attraction for those who choose to go out
with him in the field. The photographer also
can end up in some often humorous
circumstances and reveal his whimsical side
unexpectedly, as he goes with the flow
downstream or runs uninhibited through
fields of flowers on the other side of the
hill, making him as interesting a study as
the subjects he is shooting for his
companions, often devoted people watchers.
And what better place to do that than by
observing HIM out in the field while he is
completely preoccupied? The mixture of
challenge and entertainment are another part
of the draw for companions to be there in
the first place.
Companions also typically are the
photographer's cheerleaders, offering up
encouragement and support for his desire to
pursue this art. Their enthusiasm to him and
his work can be contagious and give fuel to
the photographer, as they climb that extra
mile or two to see that hidden lake or to
just check out what is around the next bend
in the trail. That desire to explore the
unknown can go hand in hand with the
photographer's desire to document it on
film, and they play off of each other
creating a whole new set of possibilities.
Family and friends tend to be honest as
opposed to flattering when asked about a
composition and as iron sharpens iron, these
conversations offer at least the potential
for better shots, and relationships.
Beauty truly is in the eye of the
beholder, but beauty shared is beauty
possessed forever. That is the joy and
reward of the bond between the photographer
and his companions and the whole point.